About Abraham Lincolns Life - Free Essay Example

Abraham Lincoln, the sixteenth president of the United States, was born in Hardin County in Kentucky He was the son of Thomas Lincoln and Nancy Hanks who were farmers. Thomas Lincoln had come to Kentucky from Virginia with his father in 1782. He acquired only enough literacy to sign his name but gained modest prosperity as a carpenter and farmer on the Kentucky frontier. He married Nancy Hanks in 1806. Abraham was born in a log cabin on Sinking Spring Farm three miles south of Hodgenville in Kentucky. When he was two years old his family moved to another farm on Knob Creek about seven miles northeast of Hodgenville. On this farm of 230 acres Abraham lived for five years, helped his parents with chores, and learned his ABCs by going to school for a few weeks with his older sister Sarah. In December 1816 the Lincolns again moved, this time to the newly admitted state of Indiana. The tradition that the Lincolns moved because of dislike of slavery may have some truth. However, the main reason for the move was Thomass uncertainty of Kentucky land titles. Indiana offered secure titles surveyed under the Northwest Law. The Lincolns lived in a rude, three-sided shelter on Pigeon Creek sixteen miles north of the Ohio River. There, Abraham learned the use of axe and helped his father build a house out of the surrounding forest in Indiana. The growing children also snatched a few more months of schooling in the typical one room schoolhouses of the frontier ages. In the late 1817 or 1818 the Lincolns were joined by Nancys aunt Elizabeth Hanks Sparrow and her husband, Thomas Sparrow, and Abrahams cousin Dennis Hanks. In the fall of 1818 the Sparrows and Nancy Hanks Lincoln all died of milk sickness, probably caused by drinking the milk of cows that had grazed on white snakeroot which was a very poisonous thing at that tim. After a year of rough homemaking literally, Thomas Lincoln returned to Kentucky, where on December 2, 1819 he married the widow Sarah Bush Johnston and brought her and her three children to Pigeon Creek. His stepmother provided the teenage Abraham with more affection and guidance than his natural mother or his father ever did. With a need for learning and for self improvement, he read every book he could borrow from the poor libraries of friends and neighbor. Abrahams thinly veiled disdain for the life of a backwoods farmer doubtless irritated his father. Abraham in turn resented the requirement of law and custom that any wages he earned before he came of age†by hiring out to neighbors to split rails, for example†must be given to his father. One historian has suggested that Abraham Lincolns hatred of chattel slavery, which denied to slaves the fruits of their labor, may have originated in Thomas Lincolns expropriation of the teenage Abrahams earnings (Burlingame, pp. 37â €Å"42). In any event, relations between Abraham and his father grew increasingly estranged. When Thomas lay dying in January 1851, he sent word that he wanted to say goodbye to his son. Abraham refused to make the eighty-mile trip, stating, If we could meet now, it is doubtful whether it would not be more painful than pleasant (Basler, vol. 2, p. 97). He did not attend his fathers funeral. In 1828 Lincoln and a friend took a flatboat loaded with farm produce down the Ohio and Mississippi rivers to New Orleans. He repeated the experience in 1831. These trips widened his horizons and, by tradition, shocked him with the sight of men and women being bought and sold in the slave markets of New Orleans. Although he came of age in 1830, he did not immediately strike out on his own. Once more his father sold the farm and set forth to greener pastures, this time in central Illinois. After helping his father clear land, Abraham hired out to split rails for other farmers, and he kept his earnings. In t he summer of 1831 he settled in New Salem, a village on the Sangamon River bluff about twenty miles northwest of Springfield.

Mrs. Bennet Pride and Prejudice - 1500 Words

In Jane Austen’s novel, Pride and Prejudice, Mrs. Bennet, the mother of the protagonist, Elizabeth, is generally portrayed as a buffoon who is an adversary for he daughter that is trying to force her into a marriage she does not want. One may wonder how she can be justified in any way, considering that she is known to embarrass her family members and behave idiotically. However, in the time period they live in, a marriage is necessary for all of the family to avoid a terrible fate. Mrs. Bennet, while often behaving improperly, does try to do the best for her daughters based on the world she lives in. Elizabeth Bennet’s refusal of Mr. Collins puts her family at risk of being homeless. In England at the time of great landowners, according†¦show more content†¦As a result of being treated this way, women would have fewer opportunities to advance in their career, which were not often in manufacturing or agriculture for men or women. When women were landless and unm arried, they had little to no political representation or influence. As the BBC stated, â€Å"when parliamentary reform was being debated in 1867, John Stuart Mill proposed an amendment that would have given the vote to women on the same terms as men but it was rejected by 194 votes to 73† (BBC 1). Not until much later would women get the right to vote, meaning that the sisters could not develop a career based on their speaking or intellectual abilities in Britain, which extended to academic positions, as, according to the Republic of Pemberley, â€Å"women did not usually have careers as such, and were not citizens in the sense of being directly involved in politics, there was little generally-perceived need for such higher education for them† (Republic of Pemberley 1). No institution of higher learning would accept women, so that kind of career would have been impossible at the time. In addition to the social barriers of being a working woman, the Bennet sisters wou ld have to face serious economic impracticalities when employed. Women were almost always paid significantly less than their male counterparts, as according to London’s Central Court, â€Å"Female domestic servants earned less thanShow MoreRelated The Lovable Mrs. Bennet of Pride and Prejudice Essay2815 Words   |  12 PagesThe Lovable Mrs. Bennet of Pride and Prejudice      Ã‚  Ã‚   The general impression of Austens novels, which critic D. W. 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Austen often references the class system at the time, often noting one of the multiple heroine’s struggleRead MoreEssay about Social Classes in Pride and Prejudice by Jane Austen1737 Words   |  7 PagesJane Austen’s novel, Pride and Prejudice, was originally to be titled First impressions. Austen suggests she chose the original title late in the novel, after Elizabeth has seen the change in Darcys manners at Pemberley and feels it can only be due to her influence. However, in 1801 anothe r novel was published using that title so Austen renamed and published her novel, Pride and Prejudice, in 1813. (Stovel â€Å"A Contrariety†). The former title accurately depicts the attitudes of several charactersRead MorePride and Prejudice: Plot Synthesis1337 Words   |  6 Pages The novel Pride and Prejudice is a romantic comedy, by Jane Austen. Pride and Prejudice is a story about an unlikely pair who goes through many obstacles before finally coming together. 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An Analysis of Michael Fried’s Art and Objecthood Essay Example For Students

An Analysis of Michael Fried’s Art and Objecthood Essay asdsdasdaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa- aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa- aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa- aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa- aaaaaaaaaaaaaaaaBeginning with Michael Fried’s arguments in his 1967 essay ‘Art and Objecthood’, consider how the status of the art object (painting, sculpture, installation, etc. ) has changed over the last thirty-five years within Art History and fine practice. Frieds essay is a kind of riposte to Judd and Morris, who he decried as literalists, coining the term to describe attitudes in opposition to his abstractionist interpretation of Modernism. For Fried, its theatricality is a symptom of the decadence of literalist works of art, which establishes a staged relationship, in time, between object and beholder. Fried preferences a kind of Modernism which is more authentically abstract: insisting Modern artworks should be abstracted from pretence, from time and from a sense of object. The publication of Frieds essay brought to light to divisions within the Modernist tradition, and seemed to indicate that the heart of these divisions lay in the philosophical conflicts between Idealism and Materialism. So Frieds dislike of the term Minimal Art, has caused him to rename it Literalist Art. He points out that the ambition of Judd and his contemporaries is to escape the constraints of painting: the restrictions imposed by the limitations of the canvas. Composition and the effort to create a pictorial illusion are never, according to Fried, quite convincing enough, quite original enough, to be satisfying. Donald Judd explained the problem: When you start relating parts, in the first place, youre assuming you have a vague whole- the rectangle of the canvas- and definite parts, which is all screwed up, because you should have a definite whole and maybe no parts. Painting is doomed to failure, but perhaps some resolution will arrive with the introduction of a new dimension. In practice, the new dimension brings with it a new focus on the relationships within the work. Judd refers to the relational character of his sculptures as their anthropomorphism, speaking of the correspondence between the spaces he creates, and both Judd and Morris are concerned with unity, completeness, creating a perfect shape capable of overwhelming the fragmentary components. In many ways nothing has physically changed in sculpture since the 1960s. There seems to be a onstant effort to relate parts in Catherine de Monchauxs recent sculpture, although her work, unlike Judds, is more obviously and shameless anthropomorphic in its forms. Her structures appear to be based on the human body, and her titles are like the titles of poems or fairytales. Wandering about in the future, looking forward to the past is virtually surrealist, it seems arbitrary to call this minimalist when the emphasis is not clearly on objects declaring the status of their existence, but instead on some fanta sy story. Never Forget seems to be about memories, the past, things being opened up, revealed and mapped out in a symmetrical and rather beautiful way. Both these works are concerned with the impossible project of re-membering, putting things back together from their parts- and the contrast with Judd is clear- to the extent that they are about parts being reassembled into an ideal whole, de Monchauxs sculptures are more like paintings. In many ways, her work resembles Carl Andres- particularly his Venus Forge. The viewers experience of the work will obviously depend on whether the work is perceived as an object or a subject. In Frieds conception, the art object becomes animated and serves the holistic aspiration of the artist. But the art works subjectivity does not elevate the artist- they have created an object capable of representing itself, and, like Frankenstein observing his monster, are themselves both the observers and observed. If Hesse is, as her diaries suggest, a woman observing herself, then she has an immediate affinity with Judd. .u29ee0c7aa16f8af48fea5031bfc5642d , .u29ee0c7aa16f8af48fea5031bfc5642d .postImageUrl , .u29ee0c7aa16f8af48fea5031bfc5642d .centered-text-area { min-height: 80px; position: relative; } .u29ee0c7aa16f8af48fea5031bfc5642d , .u29ee0c7aa16f8af48fea5031bfc5642d:hover , .u29ee0c7aa16f8af48fea5031bfc5642d:visited , .u29ee0c7aa16f8af48fea5031bfc5642d:active { border:0!important; } .u29ee0c7aa16f8af48fea5031bfc5642d .clearfix:after { content: ""; display: table; clear: both; } .u29ee0c7aa16f8af48fea5031bfc5642d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u29ee0c7aa16f8af48fea5031bfc5642d:active , .u29ee0c7aa16f8af48fea5031bfc5642d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u29ee0c7aa16f8af48fea5031bfc5642d .centered-text-area { width: 100%; position: relative ; } .u29ee0c7aa16f8af48fea5031bfc5642d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u29ee0c7aa16f8af48fea5031bfc5642d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u29ee0c7aa16f8af48fea5031bfc5642d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u29ee0c7aa16f8af48fea5031bfc5642d:hover .ctaButton { background-color: #34495E!important; } .u29ee0c7aa16f8af48fea5031bfc5642d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u29ee0c7aa16f8af48fea5031bfc5642d .u29ee0c7aa16f8af48fea5031bfc5642d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u29ee0c7aa16f8af48fea5031bfc5642d:after { content: ""; display: block; clear: both; } READ: Climbing South Sister EssayBoth artists are engaged in a project of self-replication, where sculpture is an extension of themselves- something projected into space, imbued with some kind of life, in the words of Chav and Fried, written into existence. Frieds idea can be read as gender-neutral, but the phallocentric commentaries of feminist writers such as Camille Paglia will always present a serious threat to any art theory that preferences the projection and prominence of sculpture over the restrictive bittiness of painting on canvas. For Paglia and her school, sculpture is mostly by and about men, and it is an alarming, violent world of construction, projection, erection and self-aggrandising expressiveness. Much of this might just as well read as a preliminary sculptural theory: The sexes are caught in a comedy of historical indebtedness. Man, repelled by his debt to a physical mother, created an alternate reality, a heterocosm to give him the illusion of freedom. Woman inflamed with desire for her own llusory freedom, invades mans systems and suppresses her indebtedness to him as she steals them. Hesses feminist works can be read with a melancholic tone of a woman conscious of and raging about a sexual debt but they do not have to be. Paglia finds male and female equality in Eastern religious traditions: cultures built around ongoing horizontal natural rhythms, unlike the western male preoccupation with vertical climax. Hesses interest in the body is, in Paglias terms. chthonic- she claimed she wanted to keep h er work in the ugly zone, her work defined by

The Effects Of Video Games On The Heart Essays -

The Effects Of Video Games On The Heart The Effects of Video Games on the Heart For: Piedmont Academy Science Project November 30, 1999 The Effects of Video Games on the Heart In order to determine the effects of video games on the heart, we must look at several different things. First, we must determine which specific areas we want to investigate. Looking at increased heart rate and blood pressure, we need to determine the average maximum heart rate for the age group being tested. We must determine what factors can cause one's heart rate to increase, and we must look at the current studies in regard to the various social effects of video and other electronic games. The main way that we increase our heart rate is through exercise, and even then health care professionals recognize the importance of pacing yourself. In order to pace yourself, you must determine your target heart rate. To do this, you must measure your pulse periodically as you exercise and stay within 50 to 75 percent of you maximum heart rate. A simple rule of thumb is if you can talk and walk at the same time, you are not working too hard. If you can sing and maintain your level of effort, you are probably not working hard enough. If you get out of breath quickly, you are probably working too hard, especially if you have to stop and catch your breath. The target heart rate chart is broken down from twenty years of age to seventy years. The target heart rate zone of fifty to seventy-five percent for people of twenty years is 100-150 beats per minute with the average maximum heart rate of 100% at 200 beats per minute. The second main contributor to increasing your heart rate is through stress. Doctors have determined that the problem with stress is that our body thinks we are still cavemen. There hasn't been time for us to evolve physiologically from the high-threat, short-duration stress situations that primitive man faced to the relatively low-threat, long-duration stresses of modern society. When your body receives a message that you are under stress, it automatically thinks you are going to do one of two things, fight or run away. The body does not know how to temper its response to deal with the week-long pressure of dooming deadlines or other stresses that we deal with daily. This overkill response, in time, takes a physical toll, especially on the cardiovascular system. When you are under stress, you are not thriving. Your blood pressure is elevated, your blood clotting mechanism is working at full force, your heart is beating faster than normal and your metabolic rate is up. Keep it for hours and you will be exhausted, for years and you are headed for a heart attack. Doctors place stress as the secondary risk factor for heart disease. Stress and video games often go hand in hand. During the last several decades, video games have emerged as one of the most popular forms of adolescent entertainment. In the United States alone, video game revenues total ten billion dollars annually. On the average, children who have home video games play with them approximately ninety minutes a day. Some of the trends in game playing are disturbing some observers. A 1993 study asked 357 seventh and eight graders to list their preferences among five categories of video games. The study found that fantasy violence topped the list at thirty-two percent. It also find that boys who play violent games tend to have a lower self-concept in the areas of academic ability, peer acceptance and behavior. The most interesting is the possible link between playing violent video games and subsequent aggressive behavior. Boys aged eight to fourteen are the core audience for video games. Another study found that a series of three video games played under three increasing levels of stress elicited progressively higher values of blood pressure and heart rate. Both the race and gender of the subjects affected the reactivity. Heavy video game players have a difficult time with the regard to discharging aggression, and have a lower frustration tolerance. It has been found that hostility is increased when playing highly aggressive video games and mildly aggressive games. Subjects playing the high aggression

The Purpose Is What Has Endured essays

The Purpose Is What Has Endured essays Today weve had a national tragedy. President George W. Bush spoke these words after a horrendous attack on America. As we watched bombs fly into steel and then explode, we waited to hear the advice and comfort our President would give to us. One hundred thirty-seven years ago, President Abraham Lincoln experienced a similar national tragedy for a duration of four years. Lincolns second inaugural address had to provide the United States of America with similar advice and comfort near the end of a civil war. After four years of this gory civil war, Lincoln was re-elected for the presidency of the United States. When he wrote his speech, Lincoln must have though about the past four years. The southern states had formed the Confederate States of America; a civil war had begun, and the nation had erupted in turmoil. He knew that the North wanted a harsh punishment for the southern states, but he also knew that this was one reason why the South did not like the North. As Lincolns pen starts to form the words, With malice toward none; with charity for all;...let us strive on to finish the work we are in; to bind up the nations wounds; to care for him who shall have borne the battle, his desire is to heal a broken land. Though he had signed Emancipation Proclamation, Lincoln knew that, the issues at hand could not be solved by either emancipation or armistice (203). Lincoln had to change the hearts of his people, and as William H. Seward told the president, Be sure that while all your administrative conduct will be in harmony with Republican principals and policy, you cannot lose the Republican party by practicing in your advent to office the magnanimity of a victor. (75) He had to unify the country in one speech, and this was his only chance. Both parties deprecated war; but one of them would make war rather than let the nation su...

Poverty across Cultures Research Paper Example | Topics and Well Written Essays - 1250 words

Poverty across Cultures - Research Paper Example Persons undergoing poverty in Paris during the 1930s and 1990s in the U.S. had a lot of valid things in common as well as major diversifications. And this is because of reasons relating to: The working poor in both Paris and U.S. had minimal access to the healthcare; they both worked long tiresome hours and had antagonistic relationships with their employers (Brown & Orwell, p3). On the other hand, Parisian workers were able to take pride in their work entirely free from the low-wage workers in the U.S. ProofPoverty varies greatly across the population depending on education, age, family arrangements, work profession and place of residence just to mention but a few. Still under the poverty description, the average family of four was measured poor in the year 2013 if its yearly income was below $23,834.   The measure of poverty presently at use was designed 50 years ago and was embraced as the formal U.S. statistical poverty measure in 1969. Apart from the less complicated changes a nd variations in economic prices, the poverty line is still similar to what was designed half a century ago.   A considerate look at Orwell’s Prize Down and Out in Paris and London, we are directed to the way Orwell tries to display the existing poverty he lived through while in Paris and London. Orwell employs the use of an anonymous narrator and through him describes his daily life within the poorer areas of Paris during the 19th century (early 1900s). He talks of the dirt, din, bugs and everything else in details (Brown & Orwell, p3).

American literature This I believe Essay Example | Topics and Well Written Essays - 250 words

American literature This I believe - Essay Example If you have not read, memorized, and kept at heart that immeasurable and invaluable gift by our great ancestors, you had better do. Otherwise, your commitment to the cause of justice, the cause of equality may be legitimately question. One cannot have an answer why you have not read the American declaration of independence. No excuse can be heard from the anybody’s mouth why they have not read their declaration of independence. I believe in its content, intents, and purports. As for my case, I will up to the word, phrases, and the meaning intended by our great ancestors. What else can we ask for? (American Declaration of Independence, para.2). The declaration tells us what to do and what not to. Our declaration of independence ought to be declared a wonder of the world. It ought to be a legal document with a force of law. It should be the grundnorm against which we measure our behaviors. Have we pursued to the fullest our right to be happy? Are American people happy, as we all deserve? Do we believe it is true that happiness is a truth that is self-evident? Do we believe that our right to right to life and liberty and happiness are inalienable? Do we think we should lead by example and infect all the nations of the world with our firm believe that we ought to be happy? If we fully understand, our declaration of independence do we treat the other nations as they deserve. Whether the non-derogable are rights to life, freedom, and pursuit of happiness limited to Americans only? The American people, we ought not to interpret the words literary. They must be given the widest possible interpretation. In our pursuit of the right to life and pursuit of happiness, we should conserve the world environment. We should not be partakers in the complicity of degrading the world environment. We ought to lead by example and have other people’s happiness in having a clean and